My Problem with Finishing Things

My Problem with Finishing Things

If you were to walk into my studio and open the back cabinet that I usually keep closed, you'd find something I'm a little embarrassed by: Seventeen half-finished – rather, half-started – journals and sketchbooks. Ideas, motivations, and inspirations that I was once so excited to create and contribute to, all of which fizzled out into nothing. These journals are from different points in my life, each with a different intention. A 2018 bullet journal from when I saw aesthetic bujos all over Instagram and wanted to organize my life in a beautiful way too – before realizing how much effort it actually takes to make those spreads. A sketchbook from an eager architecture student, filled with half-formed thoughts, sketches, and drawings. A grimoire to document all of the witchy things I was doing and learning. They're all versions of me documented in paper – past selves that were really excited about beginning a new journal but didn't have the energy to finish. I will never go back to these journals, and deep down, those blank pages torment me. I know I shouldn't feel ashamed of the incomplete journals. I also know that starting again in the middle of a journal isn't actually a big deal. And yet, it still feels wrong, the ultimate sin. So the journals stay where they are: closed and tucked away.Noticeable Patterns This isn’t a habit isolated to my journals and sketchbooks. If you step outside of the hideaway cabinet and look at the rest of my life, this pattern shows up everywhere. It’s in my 95%-complete kitchen remodel. The painted stairway ceiling that doesn't quite meet the edges of the wall because I didn't have a ladder tall enough to finish it. Hell, even the hundreds of books I've purchased that I tell myself I'll read someday and then never get to.An accurate representation of my life at any given moment. Via xkcd.com While I’m learning to be gentler with myself, I have to be honest about the toll this cycle takes. There is a net negative effect, that is putting a cumulative drain on my resources. Financial Leakage: The “obsessive research” phase usually ends in a checkout cart. Every $500 grow light or specialized bookbinding press for a hobby that lasts three weeks is a withdrawal from the “future me” fund. The “Open Tab” Syndrome: Like the 138 open tabs on my phone browser, each unfinished project is an open tab in my brain, slowing down the whole system and consuming RAM in the form of low-grade anxiety and background guilt. Trust Erosion: The biggest cost is the slow erosion of trust in myself. When I tell myself “I’m going to do this,” a part of my brain has started whispering, “Are you, though?” Over time, that makes it harder to commit to the goals that truly matter.At some point, I realized this isn't a problem with my journals or my books. It's a “me” problem. When I have a new idea or project, I get really excited about it. I obsess over every little detail, research everything, and deep dive into the nitty-gritty. Sometimes that means spending money, because if I'm going to do something, I want to do it well and with the best tools. After all the research and gathering what I need, I'm ready to begin. Or so I think... When I hit the first bit of friction, it's over. I don't know where to start, or it suddenly feels bigger than I expected. So I push it off just a bit longer. Give myself enough time to watch a few more YouTube videos, find more ideas online. I tell myself I'll start soon. And sometimes I do. But the moment it gets harder than I expected, something shifts in me. One thought is enough – this looks like crap – and all of that excitement and obsession I was feeling is instantly dismantled in a second. "But that's ok, because I just saw a cool craft on TikTok I want to try." Something better, something easier. This one will definitely be the thing I stick with...Thoughts on Perfectionism Perfectionism manifests in almost everything that I do, and I think this is one of the main reasons so many of my projects never make it past the beginning stages. In my mind, I have a very clear idea of what something should look like. Achieving anything less than that ideal feels like failure. Photo by Eran Menashri on Unsplash Logically, yes I understand that I can't just pick up a new hobby and be the best at it. It takes time, practice, and lots and lots of failures to get something to the point of "perfection." But that doesn't seem to matter in the moment. My brain still expects me to do it right on the first try. That expectation creates a few predictable outcomes:Over-researching: I spend countless hours learning everything I possibly can before I start. It feels productive, but it's mostly a way to avoid actually doing the thing. Paralysis: The more I build it up in my head, the harder it is to begin. Starting means risking that it won't match the version in my head that I've already imagined, so I stall instead. Shame: If I do start, and it doesn't look how I thought it would, I shut down almost immediately. It stops being something I'm working on and turns into proof that I messed it up. It's no longer this "perfect" blank slate, but a messy imperfection that isn't worth the paper it's written on.Perfectionism creates a standard that I am not able to meet, and probably would never be able to meet even with enough time and energy. As a result, I procrastinate, postpone, and defer my goals out of fear and shame of doing something imperfectly. Boredom's Influence I keep calling this perfectionism, but that doesn't explain everything. There are plenty of moments where I stop and it has nothing to do with something being "not good enough". It's more subtle than that. Photo by Carrie Borden on Unsplash Thinking back to my half-finished journals, I was genuinely excited to start them. I made it a third-, sometimes half-way though. And then at some point it stopped feeling new, and the novelty wore off. Something else took it's place: boredom, distraction, a new idea that felt more interesting, exciting, or easier. I can't always tell if I've genuinely lost interest or if the hobby was just more difficult than I expected. Those two things can sometimes feel identical in the moment. It's not like I sit there and think "This is boring, I'm going to stop." It's quieter than that, deep in the backrooms of my consciousness. I will hit a point where I don't immediately know what to do next. One single hesitation and my attention shifts. I'll look at my phone, open social media, and get quick dopamine hits from others who have actually done the hard work. Just like that, I'm gone and I can't get back. It is easy to choose the route of fast-dopamine and continuous attention-grabbing videos, but you don't get much out of it. Maybe ideas and laughs, but nothing tangible or rewarding. Just a laundry list of screenshots and "someday-maybe" projects that get added to the pile. Emotions and shame Knowing the cause of my problem is helpful, but it is still really difficult to get past the emotions and shift to actually making progress. There is still a layer of shame around the unfinished thing, a mental weight of all the things that are left undone, weighing down on me like an anchor. Photo by The New York Public Library on Unsplash When I was doing therapy, I worked on my own internalized shame, especially from childhood memories. Funnily enough, before I went to therapy, I don't think I had a good understanding on what shame actually was. Between the alexithymia and growing up with all brothers, I learned to hid my feelings rather than express or identify them. Putting a name to that feeling was the first step in breaking its power. Brene Brown defines shame as "the intensely painful feeling or experience of believing that we are flawed and therefore unworthy of love and belonging - something we've experienced, done, or failed to do makes us unworthy of connection." (Via: Shame vs. Guilt - Brené Brown). Framing things that we've failed to do through a lens of shame doesn't lead to meaningful progress, because it always circles back to something inherent about ourselves that cannot be separated from the situation. It always comes back to us. I failed, I procrastinated, I am bad. To move forward, I’ve had to practice reframing my “shame talk” into “scenario talk", where blame shifts away from the self and towards the scenario. For instance:Instead of: “I’m so lazy for not finishing that journal.” → “I ran out of steam on that specific format, and that’s ok. My energy was needed elsewhere.” Instead of: “I wasted money on these tools I’m not using.” → “I have the tools ready for when I have the capacity to return. Owning them does not mean I’m failing every day I don’t use them.” Without defaulting to shame, you can assess what is actually happening, which is much more adaptable and approachable. Even this small mindset shift has a meaningful effect on both my mental health and my ability to return to the work later.Do these things actually need to be completed?Photo by Jakub Żerdzicki on Unsplash I also need to be okay with leaving things unfinished. Not finishing a task should not automatically mean failure. I’ve started categorizing my “unfinished pile” into three groups to help me decide what actually deserves my energy:The Explorations: Things I’ve tried just to see if I like them. I learned I didn’t love it. Project complete. The Paused: Things I still care about but walked away from because of a “shame spiral” or a minor error. These are the ones I want to return to. The “Good Enough”: Things that are functional but not necessarily perfect. I am choosing to be satisfied with “95% done and functional” so I can move on to things that fulfill me more.So, how do I distinguish between a project that’s ok to drop and one that deserves a push? I’ve started asking myself three questions: Was the value in the process or the product? If I started a watercolor to learn how pigments bleed, and I learned that in the first three practice sheets, the “product” (a finished painting) doesn’t actually matter. I got what I came for. Is the friction external or internal? If I stopped because I don’t have the right tool, that’s a logistical fix. If I stopped because I’m afraid it won’t be “perfect,” that’s a project worth finishing – not for the result, but to prove to myself that I can exist in the “imperfect middle.” Did I already meet my initial goals? Sometimes we keep pushing toward a finish line that we’ve actually already crossed. If my goal for the kitchen remodel was to make it functional and bright, and it is currently both of those things, then that last half-inch of trim paint might not actually be “unfinished” – it might just be unnecessary. I can give myself permission to stop because the goal was met, even if the “idealized” version isn’t 100% complete.Starting the thing has inherent value. It is okay – perhaps even more interesting – to be a “jack of all trades, master of none.” I think the goal shouldn’t be to finish everything but to have experiences that actually fulfill your life. When you leave things unfinished that are not going to fulfill you, it creates space for the things that will. I know there is a tension between the claims that “unfinished things are okay” and “I want to finish more things that matter.” I’ve realized that I don’t need to finish everything to be worthy, but I do want the capacity to stay with the things that matter. Completion shouldn’t be a tax I pay to feel like a valid adult; it’s a muscle I want to strengthen so that when I find a project that truly resonates, I have the endurance to see it through. What I want to change While I tend focus on what's unfinished, there are still a lot of things in life that I do complete without thinking twice. It is so easy to focus on the negatives, but when I take step back, I can actually be proud of what I have done. Even so, I do want to make changes to my approach and mindset. My goals:I want to finish more things that matter and are important to me. I want to be able to return to projects without feeling shame about the gap in time. I want to allow for messy progress and let errors exist. It's "handmade" for a reason.In the near future, I’m going to try a few experiments:I will return to one of my journals, and start again from where I left off, without setting expectations for how much I need to do. Maybe I’ll pick up bullet journaling again. I will start a new project with a goal to achieve the "minimum viable product", AKA a point where I feel satisfied with my progress without needing perfection. When I want to try a new hobby, I will limit my “research phase” to the bare minimum needed to start, and only learn more when I get stuck.My past incompletions are not failures, they're just records of what I've explored. It is okay to be imperfect. It is ok to be unfinished. My life is meant for living, and I can't expect that everything I do be done perfectly. I still have work to do around shame, guilt, and perfectionism, but I am learning. I am making progress, and that is enough.

All About Artist Trading Cards

All About Artist Trading Cards

I was introduced to artist trading cards in my high school painting class, and didn't think much of them at the time. The format stuck somewhere in the back rooms of my brain, and I came back to it years later. Now they're one of the main ways I make art. Making ATCs removes just enough friction for me to actually start, and require less time than larger-format art so I actually complete them, with motivation to do more and more. What are Artist Trading Cards Artist trading cards (ATCs) are small pieces of art meant to be traded between artists. The only strict rule is the size: 2.5 x 3.5 inches. They can be:collage drawing painting photography mixed mediaMost people keep them relatively flat so they can be easily mailed in an envelope, and stored in binder sleeves, but even that gets pushed depending on the artist. They can be made in one-off pieces, or in small series. The small size makes it easy to explore a theme without committing to something large. ATCs vs ACEOs You'll also see ACEOs (Art Cards, Editions, and Originals). Same size, different intent: ATCs are traded, ACEOs are sold. In practice, a lot of artists do both. Why I use ATCs instead of larger pieces They lower the barrier to starting A full-size piece feels like a commitment. ATCs dont. I can sit down and finish something in one session, which means I'm more likely to actually do it and finish it. That matters more than making something "important." They're where I experiment Most of what I try out happens in this format first. Different materials, layering techniques, compositions - ATCs let me test ideas quickly without overthinking them. Some of those ideas carry into larger work later, but a lot of them just stay here. They build momentum. Because they're small, I end up making more of them. That repetition matters. You start to notice patterns in what you're drawn to, what you avoid, and what actually works. It's less about individual pieces and more about what accumulates over time. Trading changes the process Knowing the piece is going to someone else shifts how I make it. Not in a "make it better" way, but in a "this will leave my space" way. I keep the cards I receive in a binder, and it's one of the most interesting collections I have - completely different styles, materials, and approaches that I wouldn't have made myself. How I actually make mine Most of my ATCs are paper collage on a sturdy backing. My process is pretty simple:I cut a stack of 2.5 x 3.5 inch blanks ahead of time so I always have them ready I use heavier paper, chipboard, or watercolor paper so they don't feel flimsy I build up layers using old book pages, printed materials, and scraps Sometimes I add paint or ink over the top to tie everything togetherI don't sketch them out ahead of time. It's more about assembling and adjusting as I go. What I wish I knew earlier You don't need to overthink the format The size feels restrictive at first, but it actually does the opposite. Once you stop trying to make something "perfect", it becomes easier to just make something. Series work better than single cards Making one card in isolation is harder than making five around a loose idea. Even if the theme is vague, having a direction helps. The backing matters Early on, I made some on thinner paper, and they didn't hold up well. A sturdier base makes a big difference, especially if you're mailing them. Where to swap OnlineSwap-bot.com: Structured swaps with themes, assigned partners, and a rating system. Easy to get started. ATC for All: Similar format, also centered around themed swaps Illustrated ATCs: More selective. Requires an application and portfolio reviewIn person Harder to find, but worth it if you can. Seeing the cards in person changes how you think about them - especially texture and layering, which doesn't always come through in photos. Practical details On the back of each card, I include: name date title (if there is one) series number (if applicable) name/theme of swap (if applicable)I use a simple printed template so I don't have to rewrite everything each time. For mailing, I put each card in a clear card sleeve, then tape into a greeting card to protect it. Final thought ATCs aren't about making something perfect or even something that lasts. They're useful because they're small enough to finish. And finishing something - over and over again - is what actually builds a practice. If you're starting Start with whatever materials you already have and make a few in a row. Not just one, a few. That's when the format starts to make sense.

A Little About Me

A Little About Me

Hello fellow artists, daydreamers, designers, creative folk, thinkers, and everyone in between who gives a damn about what I have to say. My name is Michelle. Miche for short (pronounced Meesh). I've rewritten this introduction more times than I expected to. It's harder than I thought to explain who I am in a way that actually feels true. Most of the time, I don't feel like one clear thing anyway - more like a mix of interests that I keep cycling between. The one thing in my life that has stayed consistent is creating things. Whether it's art, writing, videos, or larger builds, I always be creatin'. My art is mostly mixed media - collage, paper, paint, old materials that already have a history to them. I like using things that already exist, layering them, altering them, and transforming them into something new. It is easier for me to start with something than from nothing. And it's really satisfying to give life to things that would otherwise be thrown away. I also write and journal, mostly to make sense of what I'm doing and why. I have a personal digital garden that I periodically post publicly (you can view that here: Digital Garden for Mindfully Miche "Home note for Digital Garden for Mindfully Miche"). I don't follow a rigid routine or structure; I have more unfinished notebooks and bullet journals than I'd like to admit. But writing helps me notice patterns and understand myself a little better over time. A lot of that naturally ties into how I think about my life in general. I've always been really into trying to better myself. I don't want to just exist and call it good. I like building routines, planning systems, and trying to organize my life into something that feels like it's actually working. Executing any of that consistently is another story. I'm still figuring that out! This blog is where all those things overlap. I see it as a place where my creative work, my thoughts, and my attempts to figure things out can all live together. I'll be sharing what I'm working on, what I'm trying, and what I'm learning along the way. There will be art, especially collage and process work. There will be notes on how I organize things and (attempt to) manage my space. There will be writing that's still in progress and not fully figured out. And there will probably be photos of my pets, because they're always around while I'm doing all of this. I don't have a perfectly defined goal for this blog. I just want a place to document what I'm making, how I'm thinking, and how things change over time. If you're here, you're probably doing something similar in your own way. — Miche